Search: Starring Jennifer Jason Leigh

Garland takes us into a world as beautiful as it is alien, a dazzling cinematic landscape that deserves to be seen on the big screen.

Enjoyable and witty, all the more impressive when you discover that it took only 19 days to shoot.

His - and Johnson's - real triumph in Anomalisa comes in the smaller gestures and human moments

Cronenberg has created a dazzling star in the futuristic psycho-thriller firmament.

On the level of grand gestures and mythic narrative, the film is spectacular. In other ways, it struggles a little.

The Safdies invest their own knowledge of their home turf to give it all a frenetic and authentic sense of urgency.

Baumbach has now reached a point where he is parodying himself, yet he still doesn't seem to have found his own voice.

Tarantino flexes his trash thrashed imagination and vomits forth the guts of a serial killer's darkest desires

For all that the Hitcher is an ambiguous horror film it is also a spectacular piece of Eighties action cinema.

As raw as an open wound.

Brody's concentrated performance, as a man who may, or may not, be going out of his mind, creates a tense, claustrophobic atmosphere that pervades the film.

The script, which was partly improvised, is unsentimental and fierce.

Though unrelentingly bleak, Last Exit to Brooklyn presents a fascinating slice of American history.

Margot ought to be a plum rôle, but Kidman withers it to a prune.

Bale's performance is superb, his devotion to the role scary.

Confusion reigns for the first hour, followed by a lingering sense of unease

The only mystery is why anyone would stay to the end of Poolman.

Cronenberg is most certainly David’s son, and while he’d probably prefers to avoid comparisons, his proclivity towards jarring imagery and shocking material instantly calls to mind his father's work.

After 15 minutes of fast zooms, sliced cuts, topsy pans and turvy close ups you want to be sick... after 40 minutes, you have eaten your words and are beginning to think this is original and thrilling.

Sam Mendes creates a mood of menace by avoiding obligatory violence.

Dunham is constantly looking for laughs and does deliver quite a few, but you never fully believe these people are living in the real world.

Mainstream audiences may hate and critics may debate, but Synecdoche is a work of unmitigated, undisciplined genius.

Holland's evocation of the period is lovingly detailed, with exquisite camera work by Jerzy Zielinski.

There have been bad films. There have been terrible films. And then there's Welcome To Me